Perfect storm

I love Tomer Hanuka’s cover for this week’s issue of the New Yorker:

Perfect storm

“Snow is inherently nostalgic. It encourages you to travel back and think about your life. I think it’s something about the way it blankets reality, sort of erasing the present one dead pixel at a time. And that makes room for the past,” says Tomer Hanuka, about his image “Perfect Storm.”

“I moved to New York in my early twenties, after being in the Israeli Army for three years,” Hanuka says. “I have this image of myself in my first rental apartment, sitting on the edge of the bed and staring at the window. You encounter the world as an adult for the first time—I think that’s what the story was about. That’s a powerful thing. Every window you stared through before was your parent’s world, and now, suddenly, you’re in a city. You’re washed with optimism and a sense of freedom—you’ve just been liberated and that’s amazing. And then you realize you can do very little, and it’s terribly disappointing. But the heartache and all that, that comes later.”

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